Summer 2007

 

Elections

Note from the Executive Director

Art of Survival

Themes and Semiotics

2004/2005 Proceedings

 

2007 SSA ELECTION

 

You should have received an email announcement of the election for SSA officers. If you have not, and are finding this notice without email notification, check on your membership and let us know your current contact. The Nominating Committee has submitted the following slate of officers to take positions at the 2007 meeting in New Orleans:

 

For Vice President and President-Elect (2007-8, to serve as President during 2008-9)

Thomas F. Broden (Purdue University, Dept. of Foreign Languages and Literatures)

 

For the Executive Board (serving from October 2007 through the October 2010)

Deborah Smith-Shank (Northern Illinois University, School of Art, Art Education Division)

 

For the Executive Board (serving from October 2007 through the October 2010)

Phyllis Passariello (Centre College, Department of Anthropology)

 

All of these candidates have long experience and participation with the Semiotic Society of America with work in their respective disciplines. Members in good standing will receive an email ballot for the Presidential and Executive Board nominations around June 1, 2007.  You may vote by returning the email to confirming or oppose the slate; for questions concerning the election contact tprewitt@uwf.edu.  Email confirmations will be archived in the SSA office. 

 

NOTE FROM THE EXECUTIVE DIRECTOR

 

We will use the page for announcements and other business and information needs of SSA.  Our Summer focus will be on plans for the 2007 SSA meeting to be held October 4-7 in New Orleans, LA.  The general Call for Papers runs through the end of May, and you may pre-register for the meeting and make hotel reservations now.   

 

I want to encourage everyone to use the conference hotel.  The Sheraton New Orleans is not only providing a solid venue for the meeting, but our room-night commitment at the hotel, though modest, is an important element limiting the costs of the meeting. Making reservations early and staying in the conference hotel will provide convenience during the meeting, reduce your expenses, and help the society.  The hotel is also very convenient to the French Quarter and other parts of downtown New Orleans.

 

If you are organizing any sessions and want to try to expand participation in your session over the whole society, then sent a brief description of the panel you hope to organize.  Announcements will be post here until the abstract submission process closes.

 

SESSION PARTICIPATION CALLS

 

Art of Survival: Transformation, Healing, and Self-Knowledge

 

Elka Kazmierczak

Southern Illinois University at Carbondale

 

I seek to develop understanding of the significance of art as a source of self-knowledge, healing, and personal transformation. In this panel, I propose to study relationships between life experiences, human sensitivity, and creative expression. Creative self-expression, such as image making, writing, and performance expresses the need to make sense of life and the universe. It is a method for interpretation: a way to bridge rationality and emotionality. “Art has been and is an essential means by which humans develop and extend their consciousness (and self-consciousness), enabling them to develop special skills, sharpening their essential faculties, and giving them an increasingly firmer grasp of reality” (Dissanayake, 1998: 67).[1] This panel will focus on how art transforms the often-perceived chaos of human life into the meaningful pattern of experiences, self-identity, personal transformation, and healing.

Our sensitivities and experiences form the lens through which we view the new and the unknown. Seeing is influenced—sometimes blinded by our beliefs and expectations. We see others and ourselves through the social and cultural identities societies provide us with the characteristic acts, functions, and moods associated with them (McKinnon, 1994: 20).[2] The outside world and its experiences are never viewed in the same way through the eyes of different people; yet, these experiences can be shared, because of commonalities granted by universals of human nature and participation in culture, giving art its communicative power.

I invite discussion of different factors governing the use of art for healing and self-knowledge. For example, many argue that physical experiences are not so easily disclosed linguistically. Rather that it is corporeality upon which our language is based. Thus, what is the nature of physical experiences encountered in art making? How are they classified and accounted for?

For more information contact Elka Kazmierczak at elka@elkadesigns.com, or elka@art4e.org 

 

 

Morris Opler and the Theory of Themes

 

Anyone who is interested in participating in a panel linking the anthropological “theory of themes” of Morris Opler, or other configurationalist theories of culture, to the semiotic perspective of C.S. Peirce, please contact Tom Lopez, Department of Anthropology, University of West Florida, 11000 University Parkway, Pensacola, FL 32514 or tom165@bellsouth.net to coordinate abstract submissions.

 

 

2004/2005 Proceedings Volume

 

The 2004/2005 combined proceedings volume is finally completed and should appear later this Summer.  Meanwhile, authors should be receiving PDF versions of their individuals papers which will allow them to print paginated copies of their papers. Individuals who want to purchase the volumes should contact Legas Press, 3 Wood Aster Bay, Ontario, Canada K2R 1B3 [or 2908 Dufferin Street, Toronto, Ontario, Canada M6B 3S8].

 

 

 



[1] Ellen Dissanayake, What Is Art For? (Seattle: University of Washington Press, 1998).

 

[2] Neil McKinnon, Symbolic Interactionism as Affect Control (Albany: State University of New York Press, 1994).